求一篇150字左右的英文影评

黑客帝国

1

The Matrix: virtual messiah

The most successful use of the messiah-figure in movie-land so far has to be Star Wars, where young Luke 'redeems' that far away galaxy. And of course the narrative arc associated with the messianic character is the monomythic cycle, per Joseph Campbell, whom Lucas supposedly read heavily. Meaning Star Wars was no accident (i.e., was already ingrained into our cultural unconscious). Neither is the Wachowski brothers' (Andy Larry, best know for Bound) The Matrix, which, instead of picking and choosing from the monomyth per Lucas, instead just uses it all, from the 'parentless' birth to the prophesied appearance to the ability to transcend reality. The messiah here even dies and gets reborn, which means, yes, this has all been done before. Thing is, though, it's never been visually-realized so well, from the opening frame on.

It all starts with a nifty little showcase of the Gap-commercial camerawork we know from the trailer, which provides perhaps the best opening-action sequence around, counting Bond. The woman in black is Trinity (sci-fi newbie Carrie-Anne Moss), and, while the special effects do get all the attention, they also serve a second purpose: to make us wonder just how she can pull them off. Meaning there's already a question to be answered, a mystery to be solved, which in narrative terms translates as a compelling reason to move forward. By the end of that opening sequence, we're hooked. And it only gets better (or, the mystery, as all good mysteries must, only deepens).

Cut now to Neo (Keanu Reeves, already at home in the sci-fi future, via Johnny Mnemonic, even Bill Ted), our messiah, a cubicle-sitter by day, minor league computer hacker by night. It's his night job where he really lives, where he hears whisperings of the 'Matrix,' and some shadowy terrorist figure called Morpheus (sci-fi veteran Laurence Fishburne). But whisperings aren't enough: like Kirstun Dunst in Interview with the Vampire, he wants some more. Soon enough he gets it, gets pulled into answering the mind-bending question Donald Sutherland asked a long time ago in Body Snatchers: What if this world is just nested in another world, which is nested in another world, and on and on? He's introduced to the question--introduced to the 'Matrix'--by none other than Morpheus, who dresses it all up like a Through the Looking Glass experience. You almost expect Grace Slick to punctuate the background for us some, but the Wachowski bros. are able to reel it all in nicely, put the white rabbit on someone's arm instead of onto the soundtrack. It all makes sense if you pay just a little attention.

Once you're in on the secret then, (real, or Memorex?) everything shifts into overdrive. Lots of spaghetti-western hero shots, with Neo's overcoat whipping dramatically (see Cage in Face-Off for more shots like this). Lots of gunplay and techtalk. Lots of stepping into and out of realities, per Millennium (1989) or 12 Monkeys. Even a little romance. The Matrix simply has it all, and then some; you'll want to see it twice, at least. And yes, it does get a little gun-heavy for a while, but this is an action film, after all. Slow-motion leadslinging is part of the package. And the spent cartridges never quite rise above story-level, anyway, but not so much because there's not a lot of cartridges to spend, but simply because there's so much story there in the first place. That is what drew us to Star Wars, after all, yes? The Matrix, though not a space opera, is just as good, and has the added bonus of updated effects technology. The only place Star Wars might have a clear advantage, really, is that Lucas didn't tack an unnecessary coda on, where the Wachowski bros did. Minus those four or five seconds at the end, however, The Matrix is the best sci-fi to come along since Bladerunner. Just a lot louder

2

"Unfortunately, no one can be told what the matrix is, you have to see it for yourself," the radio ads drill. But, I can tell you this..."The Matrix" (the movie) is a winding web of dream vs. reality vs. technological dictatorship. It snatches you in your slumber, then challenges you to see the real world as a dream. It won't insult your intelligence; in fact, like Keanu, you'll spend most of the film trying to figure it out. As for the rest: saliva will be evaporating from your wide open mouth as your jaw lowers at the glass-shattering special effects.

I'm not sure why bullets are necessary to battle power-hunger software; but it sure is cool to watch the empty shells fall to the ground in slow mo. There are the times when the psychedelic, poetic, philosophic dialogue kind of bogs up on itself and there's that lull in the second act ... but nothing that a totally dope butt-woopin' climax can't blast from your memory. Now that's why we go to see action movies!

The plot/concept is almost intricate enough to make you forget that fighting technology with Kung Fu is essentially a silly idea. The acting won't steal the show. It's the careful direction (unique, yet reminiscent of Terry Gilliam, especially in "10 monkeys") and sensitive, creative use of remarkable special effects that will burn this film in your memory. Buckle up!

阿甘正传

1

Robert Zemeckis (of Back to the Future fame) has collected another feather for his cap with his direction of this movie starring Tom Hanks as this childishly naive idiot savant. Though that description of Forrest Gump might be inadequate.

Gump, gifted with a low IQ which lets him be adorably childlike even as he grows up, leads a very charmed life: a mother who loves him immensely and who sleeps with the school principal in order to make sure her child has the best education, a miraculous incident that eliminates the need for him to have braces for his legs, a childhood girlfriend who remains faithful to him till the end, surviving Vietnam with a medal, and, in general, a propensity for turning everything that happens to him into good.

I wonder what the movie is trying to say. From one perspective, it implies that intelligence (as measured by IQs and the general idea of what " *** art" is) is a very unnecessary trait. But I think one can look beyond that and say that childlike innocence, which can be considered stupid, has its rewards. Throughout the movie, Gump is in situations where he is harassed by other people but he never takes offense (except, of course, when his girl Jenny is being abused) at any of the insults thrown at him. He is indeed not completely stupid, even though he is portrayed as such, since he can re-assemble guns at high speed, run like crazy, play ping-pong like a maniac, and so on.

The fact that Gump doesn't take offense, I think, is what keeps him content. He becomes a millionaire, but gives most of the money away. He is honest and open and this, along with his Alabama accent, endears him to the audience. But this gets tiresome after a while (especially after 2 hours). I thought the movie was overly long, but that's the only negative thing I have to say.

Gump rubs elbows with many famous personalities over the last half of the century including Elvis Presley and Nixon, thanks to computer technology (General Dan doesn't really lose his legs either---they are just erased and the background is then touched up by using computer graphics programs). The account of how Gump is responsible for the gyrations that is so characteristic of Presley is very telling of the motives of this movie. Gump is contrasted to the famous males, who are idols (in some cases) in today's society, and it appears as though he is better off in comparison: Gump's choices in life seem to determine his niceness (he goes to Vietnam, keeps his promises ("a promise is a promise"), harbours no ill-feelings or grudges, and is not greedy with fame or money) and successes. Contrast this to the choices his lifetime girl friend Jenny makes: she wants to be famous and rich, but ends up being a druggie. The people she is surrounded by are all of a dubious nature: a sexually-abusive father, a show audience more interested in her naked body than her folk-music playing, and an abusive hippie-boyfriend.

The traditional male heroes that we have had are all dysfunctional in some respect or another and we are lost without heroes, as Bloom points out. Gump is a new kind of a role-model; he's A Nice Boy and everyone knows they're hard to find. As one reviewer said: "Today the last American hero is a Tom Hanks character with a *** all IQ".

Forrest Gump is the runaway hit movie of this summer. Many people claim it gets them in touch with their "inner child". Some reviewers attack it for the view that low IQ is a necessity for maintaining the child-like attitude Gump has. Gump never grows up or matures in the movie. He never becomes a man and remains a boy throughout. It is implied, at least, that his "stupidity" is what allows him to do this. This may or may not be true, but it is just a movie in the end. Most people in his position would not be so fortunate as he. And what about the converse: if you are intelligent, does this mean you cannot be child-like forever? That's not true, and I think Zemeckis did a good job in showing that anyone can retain their inner child as long they never grow up or become mature.

2

I have never seen a movie like Forrest Gump, which is a magical movie that let me have a deep thought about my life. “Life was like a box of chocolates. You never know what you are gonna get.” That is a significant sentence from Forrest Gump’s mother at the beginning of movie. The film narrates different experience in Forrest Gump’s life continuously to prove this sentence to audience.

Tom Hanks, one of the best world’s actors won Best Actor in this film, is the only and the perfect man portrayed a role Forrest Gump. This film is directed by Robert Zemeck whose films are characterized by an interest in state-of-the-art special effects. Besides, Forrest Gump won six academy awards, including Best Picture, Best Visual Effects, Best Director, and Best Actor. In addition, the movie is with great background music to let the audience having a strong impression.

The film opens with a low IQ man, Forrest Gump, telling his significant historic events in his life to the stranger when he is waiting for a bus. That is one of the most special techniques in this film to connect the different story telling to different audience in the bus station, which make a great effect to emphasize on the theme of this film. The other special technique is that there are two clues in this film: one is Forrest Gump’s life and the other is Jenny’s life. Through contrasting with their different fate, it reflects the phenomenon of U.S at that time.

The one steady thread is Forrest Gump’s love to his mother. Forrest Gump is with his simplicity and innocent but understands everything. Even though Forrest is a “foolish” boy, his mother always encourages him and gives him confidence to face his life. Forrest Gump keeps his mother ‘s words to face all the difficulty events during his life. “Stupid is as stupid does”. Forrest Gump is with his innocent thoughts on what living is all about. He creates his extraordinary life with his “intelligence”.

What is the meaning of outstanding movie? You will get the exactly meaning from the movie Forrest Gump. We have never known what will happen in next minute, but we can make it better with optimistic attitude in our life. I think you do not only have an enjoyable time when you watch this movie, you also have a view on your life through Forrest Gump’s life.

律政俏佳人

1

Watching 'Legally Blonde' is almost like falling into a big pink void where fluffy biros and heart-shaped notebooks have for some reason become humorous.

It stars Reese Witherspoon as Elle Woods, a sorority girl permanently enveloped in sickening chirpiness. She experiences an all-too-rare moment of deflation when her *** ug knitwear-loving boyfriend Warner (Matthew Davis) dumps her to head for Harvard Law School and find a partner who's 'a Jackie, not a Marilyn'. Given that he calls her 'Pooh bear' – presumably some sort of attempt at enforced endearment – it's probably a narrow escape. Only Elle, ditzy perfume-obsessive that she is, doesn't see things that way.

So, in an effort to win Mr Side-Parting back, she decides to apply for Harvard as well and, wouldn'tcha know it, gets in. Thankfully, this unconvincing romantic hook soon becomes little more than a sub-plot as Elle works her way to the top of the class, skilfully dodges the wandering hands of her Professor, and eventually takes on a legal case of her own. Fittingly, the case involves a US fitness Queen, a camp Central American pool boy, and Raquel Welch.

Like a better-looking female equivalent of Jim Carrey, Witherspoon appears in practically every scene, with only the end credits eventually providing a much-needed breather from her incessant grinning and giggling. Selma Blair, as Warren's newfound girlfriend Vivian, is mean and bitchy yet infinitely preferable to our disgustingly bubbly *** e. Am I wrong to think that?

The movie's one saving grace is that it doesn't take itself at all seriously – but that doesn't necessarily mean it's funny. It's not.

2

Elle Woods is a big hit on the campus of her sun-drenched Los Angeles college. She's also got the perfect boyfriend in Warner Huntington , a wealthy East Coast blue blood. Fearing that his snooty friends and family will never accept the bubble-headed Elle, however, Warner dumps her before heading off to graduate law school at Harvard University. Determined to win back her man, Elle enrolls in the same imposing institution, quickly becoming an object of scorn and ridicule, especially to Warner's old prep school flame. Despite her penchant for malls, makeup, and tanning, Elle is no dummy and is soon showing elite Ivy League snobs a thing or two about class, self-confidence, and courtroom victory.

I think elle’s success attribute to her confidence,brave,hard-working. Most people won’t do such a crazy thing like elle. Because how could you choose a major you knows a little? It really needs a great courage to do . But elle did. She did her most to get the admission from the harvard unniversity faculty of law. After that she read day and night to catch up with the others. And she was optimistic when she was made fun by others. She face it bravely, then dealt with it. The most important is she believe in herself. She belive that she can make it no matter how hard it is. And she have faith in others as well. This attitude helped her succeed in the case.

I think we should learn from her. First we should rebult our confidence. No one can make you feel inferior without your our accomplishments when we win. With these abilities, a confident person can succeed easily at school or work.Second, when we locate a goal. We should try our best to make it. Hard-working is necessary in the road to success. Third, we should trust other people. Believe is mutural. Only when we trust others, they will tell us the truth.

都给你吧，一个给你2两篇，选一选吧

黑客帝国1 观后感

"人不能脱离意识来观察物质世界，所以所谓的物质世界只是在我们意识中的真实世界的投影，他不可或缺，同时也并不重要。所以只要黑客帝国里的人类表现的是人类意识，那么他们的世界就是真实的。"

不认同楼上的,通过黑客帝国的电影,更进一步的说明了,人类意识中的世界与真实世界的偏差,通过对人类的脑部影响,可以让人类虚拟的体验一个世界,如果影响的不像电影中那么多,意识中的世界就和现实中的相差无几,不过无论影响多么细微,人类认识的世界始终是大脑加工过后的世界的虚拟映像,也就是说,仅仅通过我们的大脑我们无法真正的认识这个物质世界,只能无限的趋近.当然无限趋近在物理上是可以看作相等的.

我倒是觉得,黑客帝国这部电影,告诉大家,永远不要轻易相信自已的感觉,理性的思考,客观的分析我们身处的世界是大有必要的.

黑客帝国1》观后感？

一、必须说出口的：

自99年《黑客帝国》上映，全球史无前例的刮起了一阵“黑客”狂潮，更时尚的电影理念、最酷的演员造型、最豪华奢侈的特效场景吸引了全球了众多的影迷，包括我在内的众多观众仍然对从电影院中走出那瞬间的惊呼记忆犹新：电影竟然可以这样震撼人心！黑客帝国这股狂潮愈演愈烈，伴随电影产生的派生品相继问世，黑客迷们趋之若鹜欣喜若狂，配合电影发行的电影短片、电影动画、电脑游戏甚至服饰、文具都是激动的黑客迷执著的追逐。

成功电影的为制造商带来了惊人的丰厚利润，面对这部投资成本过亿（美元）的电影，制造商难掩内心的兴奋坦言：《黑客》一、《黑客》二每投入一美元的成本，就能为他们带来至少十美元的纯利润，并且乐观的预计《黑客》三上世之后将为他们赢得《黑客》一、《黑客》二收益总和的1.5倍，粗略估计约三十亿美元，实际情况是：《黑客三》仅在北京地区预售电影票前三天，票房就突破了200万人民币。

转眼间四年过去，《黑客》钓足了全球黑客迷的胃口，影迷们非但没有遗忘黑客帝国的神话，反而更加狂热。把2003年命名为“黑客之年”更是理所当然。为了报答全球影迷的厚爱（为了杜绝、防止盗版）《黑客帝国3-革命》选择了零时差的（更加商业化的）运作方式---2003年11月5日《黑客帝国-革命》在全世界同步播放。

2003年11月5日又一个神话诞生了！唯一不同的是，这个神话永远不会破灭！

二、诸神之精神支柱：

看《蜘蛛侠》到结尾的时候，那个肥胖的小个子男人居然也郑重其事的站在星条旗面前，不禁哑然失笑。

有时候我觉得美国人挺幼稚，他们是这样乐衷扮演救世主的一群，从不掩饰自己的欲望眼角眉梢写满野心，动不动就拿国旗当个事，星条旗恨不能插的满世界都是。

好莱坞在屏幕前不厌其烦的把美国人装扮成世界宪兵，全人类的精神支柱，恰是凭借了“heal the wrold”这样的勇气，《黑客》的筋骨救世主the ONE –NEO问世了。

三、百家饭-千种滋味：

1）我一直不赞成《黑客》是给全世界影迷的厚礼这种说法。先是有人站出来高呼：《黑客》不属于文科生。我要补充的是：严格的说《黑客》系列属于年轻人，属于那一群年轻的电玩爱好者。

不是反感特效，但是《黑客》系列中美轮美奂的特效最终喧宾夺主，Neo成了配角或群众演员多少有些失望，与其说观众们在观看电影不如说一群玩家陶醉于电玩游戏中。这样华丽的特效是奢靡腐败的，避重就轻忽略了剧本情节甚至演员的演技（一件皮大衣、一幅墨镜、一张面无表情的面孔？），我眼中电影辉煌的时刻已经悄然离去了，现在电影依赖特效如同鱼儿需要水，如同《终结者》《哈利伯特》《指环王》《古墓丽影》，例如《终结者》中两个机械人的打斗甚为突出，观众的感觉如同嚼蜡（早不是鸡肋）。

十年前我是怀着多么激动的心情观看《辛德勒的名单》啊！

过分的依靠特效和电脑 *** 对《黑客》本身就是个强烈的讽刺，人，究竟是不能离开机器的，哪怕一部电影。

2）沃绰斯基兄弟这对导演搭档在有限的时间内试图传达灌输太多的内容，《黑客》系列吸纳了各电影届的各个精英共同完成这理想。

武术指导袁和平重担压肩，屏幕上Neo、Smith扭扭捏捏白鹤梁翅，中国拳法讲究：精、气、神，我是一点都没有看出来，当然这并没有什么大碍，时下流行暴力电影，《Kill Bill》《查理的天使》同样让女人同样舞枪弄棒，电影中是不是应该加入：此电影纯属虚构，小朋友不可模仿！的字幕呢？

《卧虎藏龙》中余秀莲望着怀抱中的李慕白恳求：给我一点希望！这就是我眼中的中国文化，她是绵延的，包含底蕴却不抑扬于神色中的，不能揣测也不要妄图将传统的中国文化与其她交融。古文如此、诗词歌赋如此、茶道如此、中国功夫也如此，除非高山流水、松鹤互映、白云深处这样的境界，中国功夫的精髓不能被好莱坞机械人理解并同化。

3）哲学理念的介入无疑是《黑客》成功的元素之一“波德里亚”“苏格拉底”“柏拉图”“庄子”“圣经”“宇宙起源说”等词语在诸多在影评中频频跃入眼帘，其中有一篇影评的标题是：前文明世界的宇宙辩证。我绝对没有批判他们的意图，这些影评都写的很好，有如坠深渊迷雾的错觉。

《黑客》放映后，一位外国记者专门写了一本书记录并整理了电影涉及的哲学理念因此一抛走红。影迷们惊呼：啊！这样伟大的电影！电影加上了耀眼的光圈，电影中出现的门牌号对应的《圣经》告诉我们。。。。。。出现的车牌号《圣经》告诉我们。。。。。。主人公的名字揭示了。。。。。全世界因《黑客》系列掀起了哲学狂澜。

如同深奥的电影一样，影评们或教材或骈体文一样深奥。

你会发现这是一种很奇怪的感受，黑客迷狂热执著的不停迷惑、探索、发现，上纲上线怕是必然的结局（让我联想起了矩阵中被机械迷惑的99%的人）。电影终究不是教科书，不需要扮演传教士的角色，倘若电影和观众都偏离了自己的坐标和方向，电影如何娱乐大众呢！

四、结束？开端？

耐人寻味的是《黑客帝国三-革命》中出现的“革命”是复数形式：revolutions!

那暗示：革命（神话）刚刚开始，革命（神话）仍然要继续(矩阵经过第六次升级，将更加强大，who is the next Neo?)!

《黑客》中有一句对白很经典：Neo，你要透过腐败的肉身观察本质！

电影永远是电影！

震撼吗？那也不过是一部电影！

黑客帝国2观后感

黑客帝国是我很喜欢的电影。可以说是一部震撼人心的影片。

如果从哲学上讲，你心中的世界根本就没有存在过，不过是我们对于一些信号的错觉而已。比如当你看到一只路边的一个乞丐，很是怜悯，便掏出几块钱给了他。现在分析这个生理过程，首先眼睛接收到了一个映像，经过视神经传入大脑，通过对之前存储信息，和已经有的做人准则，比对得到一个反映，掏出钱给了他。其实这一切都是可以看作我们大脑作做梦，一个莫名其妙的信号取代了视神经的位置，进入大脑。大脑被欺骗了之后，依然做出反应，但这个反映是否能下达到身体的执行器官也被欺骗了。整个过程就是母体对我们身体做的游戏，我们是被玩弄的。从而也可以说明我们的一生都是被愚弄。有一本专门讲解唯心主义哲学的书《人的哲学》一本小册子。就非常类似的说明了，我们的认知，我们的感官是可以全部舍弃的，因为我复发确定它们真的能反映我周围的世界。很冷的一个笑话“大人问什么东西更大，一个小孩说，眼皮啊！闭上眼睛我就什么都看不见了”看似童言无忌，但是却反映了深刻的哲学道理。

回到电影中来，但是真实的世界是这个样子么？我们现在是否正在执行这个程序？是不可知的，也许真的有那么一台机器控制着我们。但是基本不会这样的~~~~

最可能的结果是，本影片是反映社会的意识，社会的准则对我们的控制，也就是Matrix就在我们身边，社会给我们部下了无限的诱惑力，比如会说，住上什么样子的房子就是成功人士，比如你应该找什么样的女人，或者嫁个有钱人，这都是可以看作，插在Neo后脑上的那条电缆，不断地输送给我们本来没必要处理的信息，正如，Neo醒来之后吃的之一顿饭，看到那一沱糨糊一样的东西，坦克说其实我们身体只需要这些足以了，那些锦衣玉食就是那些没必要的信息。我们每个人都在享受着这些垃圾信息，只不过没有人能被唤醒，也许也不愿意醒来。

其实整部影片又非常浓厚的唯心主义色彩，并且有浓厚的宗教色彩。但是他却真的是一部立志的影片，然我们看 *** 相，希望人们被唤醒不要沉醉在社会为我们营造的幻象之中。

谁能帮我写一份黑客帝国1的英文观后感，70~90词左右，不要用金山等字典...

I watched this movie in cinema long time ago and I never forget the feelings when leaving after watch. This film changed my life. I started to think a little different. It was access to myself. Wachowski Bros. made fantastic piece of art. I think all movie fans know this title and they never forget it. Do you remember when you first time saw it? I remember very well this stunning visual effects which they looked like real. I was so excited watching this film. Every second of this movie is worth seeing. The story told in "The Matrix" is really important to this world because no one knows the future and it shows how could it be and how A.I. may be. It's a warning to humanity. I strongly recommend to see this movie. If you like action on the best level you must watch it and enjoy superb story with great stunning effects (visual and sound).

急求黑客帝国英文影评450字，谢谢！

Writing a review of The Matrix is a very hard thing for me to do because this film means a lot to me and therefore I want to do the film justice by writing a good review. To tell the truth the first time I saw the film I was enamored by the effects. I remember thinking to myself that this was one of the most visually stunning films I had ever seen in my life. Also having always been a comic book fan and a fan of films that were larger than life, the transitional element of the story was very appealing to me and this probably heightened my enjoyment of the film very much. It wasn't until some time later (and after having seen the film a few times more) that I started to think about the film. I recognized the Christian elements quite quickly but it wasn't until I wrote an actual 15-page essay on the film that I tapped into some of the philosophical and religious elements and that made me appreciate the film even more. I won't say that I have recognized all elements because the film is quite literally packed with them.

Acting wise the film works excellently. I won't say that there aren't any issues because there are but overall the acting is pretty flawless. Keanu Reeves plays the main character, Neo, or Thomas A. Anderson and while he is not the perfect actor I think he does a pretty good job in The Matrix (and the sequels). He doesn't have the longest of lines which was probably a deliberate choice from the directors and it works because this gives him a better opportunity to work on posture and facial expressions and I must say that overall his body language is very good. Very clear and well defined. Laurence Fishbourne plays Neo's mentor Morpheus and he does an excellent job of it. His lines flow with a certain confidence and style that makes his character somewhat unique and interesting. Carrie-Anne Moss does a good job as well and succeeds in looking both cool and sexy in her leather outfit. Joe Pantoliano, a critically underrated actor does a brilliant job of bringing his character, Cypher, to life. I can't say much about him because his character is pretty essential to the plot and I certainly don't wan't to spoil it for anyone. Gloria Foster appears in a relatively *** all role that will have greater significance in the following films and she does a very good job. The best acting is provided by Hugo Weaving, however, in his portrayal of Agent Smith. It is really something to watch him act out the changes in his character. Agent Smith gains some human traits like anger, sense of dread, hate and eventually even a sly sense of humor (mostly in the sequels). Two thumbs way up to Weaving who has created one of the finest screen villains of all time.

Effects wise the film is simply stunning and it deservedly was awarded the Oscar for best effects (and was regrettably cheated out of a nomination in the Best Film category) ahead of even Star Wars. The reason that I think The Matrix deserves the Oscar for best effects is simply that the effects in The Matrix are more innovative than the ones in Star Wars. Just take a look at how many times the effects have been spoofed and you'll probably agree. The effects also help in the symboli *** of the film and in creating a very dystopian atmosphere not unlike the one seen in Blade Runner and this works brilliantly. The film looks beautiful at all times and today 6 years later (my God has it already been 6 years?) the effects still hold their ground against new science fiction films. Add the effects to the brilliant editing and you have a visual masterpiece on your hands. Very well done.

The reason that I think The Matrix is more reviewable than pretty much any other film is the story and the philosophical and religious elements of the story because with every viewing I catch something I didn't see the previous time I watched it. Without spoiling the film I think I can mention a few of the more obvious elements. Obviously the film draws on the Messiah myth as Neo is a clear reference to Jesus with the *** ogy of his name (Neo = one, as in The One) but also hidden in his other name, Thomas A. Anderson. The first part of his last name, Anderson comes from the Greek Andros meaning "man" and combine this with the second part of his last name "son" and add a little creativity you will come up with the combination "son of man" which was a title Jesus came up with about himself. Also the first time we meet Neo a man calls him (and I quote): "You're my Saviour man. My own personal Jesus Christ." It doesn't get any more obvious than that. Aside from the Christianic elements the film also gets its inspiration from Budhi *** , Gnostici *** (Gnosis = knowledge) but is also inspired by Plato and his *** ogy of the Cave and Jean Baudrillard's essay, Simulacra and Simulations. Explaining these elements would make this review go on forever so aside from mentioning them I will not comment on them further.

To all the people who doubt the profound nature of The Matrix I can only give one advice: Free your mind and watch the film again. You won't regret it. If I had to choose a favorite all time film my choice would probably fall on either The Matrix (obviously I don't expect people to agree but if they do thats great) or The Lord of the Rings: The Return of the King and I recommend it to all fans of sci-fi and people who like philosophy.

急求黑客帝国1英文影评，100-200字左右

This is a story in the future, about the Earth's environment has been destroyed, the rulers had kept in a container, let them alive with ideas. However, some people from the container out, construction Zion. Film hero called NEO, he is very handsome. Hero NEO also rescued, and then the hero began to save all mankind.

This story was written in the true history of mankind, the standpoint of natural science, when the earth's resources are exhausted, the symbiosis of humans and machines is the only way. The film is not only great scene, but also contains a profound truth. Tells us that the Earth is our only way to survive their homes, to cherish the Earth, Protect the Earth.

Worth a visit \

/ 这是发生在未来的一个故事，它讲述了地球的环境被破坏，统治者只好把人关在一个容器内，只让他们用思想活着。但有一部分人从容器中到了出来，建造了锡安成。片中而主人公叫做NEO，他很帅。主人公NEO也被救了出来，然后主人公开始了拯救全人类的工作。

这个故事其实写的是人类的真实历史，自然科学的角度上讲，当地球的资源耗尽，人类和机器的共生是唯一的出路。这部影片不仅场面宏大，而且蕴含着深刻的道理。告诉我们地球是我们唯一的生存家园，要珍惜地球，保护地球。

值得一看

黑客帝国英文影评100字左右，不要金山翻译的那种

获奖:

Awards:Won 4 Oscars. Another 28 wins 35 nominations

观众的评论:

Right there with Seven and Silence of the Lambs for me. I love this film, and rate it a notch above some of the other great action films of our time (i.e., Terminator, Predator) because it has a really well thought out (although moderately unbelievable) story line. A lot of thought provoking material, and some interesting subtleties. I've seen it 10 times (I don't usually watch a movie more than once), and I'll watch it a few more. Enjoy!

剧情给你四个版本的

版本1:During the year 1999, a man named Thomas Anderson lives an ordinary life. He makes a living illegally mostly by computer hacking. Then one day he meets another man by the man of Morpheus. After their friendship develops Morpheus shows him that world Thomas is living is make-believe. At first Thomas does not believe him, but then is shown evidence and also meets with a like-minded woman named Trinity. He is slowly updated from the time the world was disintegrated and wasted, devoid of all natural resources. Then in this wasteland, came android-like humans, machine-made, who enslaved the remainder of the humans. In order to create the perfect world, a fake world is created to fool the humans into believing that everything is alright in their world. Now Thomas, Trinity, and Morpheus must lead the humans to freedom, but will the android-like beings let them? Written by Sumitra (corrected by Sonia)

版本2:Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a malevolent hacker known as Neo. Neo has always questioned his reality but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. Morpheus awakens Neo to the real world, a ravaged wasteland where most of humanity have been captured by a race of machines which live off of their body heat and imprison their minds within an artificial reality known as the Matrix. As a rebel against the machines, Neo must return to the Matrix and confront the agents, super powerful computer programs devoted to snuffing out Neo and the entire human rebellion. Written by redcommander27

版本3:In the near future, a computer hacker named Neo (Keanu Reeves) discovers that all life on Earth may be nothing more than an elaborate facade created by a malevolent cyber-intelligence, for the purpose of placating us while our life essence is "farmed" to fuel the Matrix's campaign of domination in the "real" world. He joins like-minded Rebel warriors Morpheus (Laurence Fishburne) and Trinity (Carrie Ann Moss) in their struggle to overthrow the Matrix. Written by Jake Gittes

版本4:Computer hacker Thomas Anderson has lived a relatively ordinary life--in what he thinks is the year 1999--until he is contacted by the enigmatic Morpheus who leads him into the real world. In reality, it is 200 years later, and the world has been laid waste and taken over by advanced artificial intelligence machines. The computers have created a false version of 20th-century life--the "Matrix"--to keep the human slaves satisfied, while the AI machines draw power from the humans. Anderson, pursued constantly by "Agents" (computers who take on human form and infiltrate the Matrix), is hailed as "The One" who will lead the humans to overthrow the machines and reclaim the Earth. Written by Brian Barjenbruch